For You

 

All poetry is prayer, the poet says,

Lifting eyes to the sky

The rhythm clinging to each heartbeat

In the white space

That breathes beyond and between

Each syllable, each sentiment, each word,

Spoken and unspoken

 

All dance is poetry, the dancer mimes

Mouthing the words to the song inside

One heartbeat matching each beat of the drum

Each run of the keys, timed, syncopated,

A marriage of movement and might

The language of love and longing

 

Dance is poetry, poetry is prayer

In the space beyond and between

A story told in silence, melody and grace

The dancer’s spirit bent and broken, healed and saved.

 

The dancer’s stage, an altar

Where truth hides in the shadows

Is anybody out there listening?

 

The dancer’s arms, a symbol

Outstretched, pleading, prayerful, strong

Are you coming to get me now?

 

Dance of sorrow, dance of praise

Can you hear my call?

Here I am, on my knees

Can you see me now?

When will you find the space to

Answer me, rescue me, deliver me.

 

Watch me dance out loud

 

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In the Beginning

 

Van Ronk worked at the Gaslight
brings me a bottle in a paper bag
drinking songs all through the night
asleep with that guitar in my hands
stunned, stoned or straight

Goodness hides behind its gates
Bloodstream of the blues
in this mythical realm
of dizzy, portentous truth
A frosted silent place

Poet of night stones and the quick earth,
something calling to me to come in,
taste the dust.
A fearsome apparition –
the ghosts race towards the night

Sing something,
fully alive and revved up
Rebellion upturned…
Sing something,
beautiful, magical, upbeat, complete
voice and guitar, ringing the room
Je est un autre, je est un autre

Sourced from Chronicles: Volume One, Bob Dylan

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Witness

The wind kicks up

And I wake up

Remembering, knowing

In this moment I am alive

Swirling life, dancing wind

 

The wind dies down

And I hold on

Remembering, knowing

Such lives have gone before

And are no more

Stolen life, somber wind

 

Soldiers, comrades, heroes, friends

Once here, now mere memory

Carried on the wind

Voices of the past

Whispered in soft breezes

Sung out in storms and gusts

 

Wind, a reverent witness

What was, what is, what will be

 

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Oulipost #30: Remnants

Oulipost #30: Patchwork Quilt Conclude the project by writing a poem that incorporates words and lines from all of your past 29 poems.

 

Suddenly silent inside

Distant memories coming into focus in dreamlike fashion

All these promises have been made before

We felt an ache beyond ourselves

It tightened the night around us

With reckless abandon,

we sang, then the night sang louder

This is my home

I was completely obsessed

 

Why?

 

Alone, a new dawn, touching time

Sweeping dreams – lush, deeply moving

Pathways – wild, unfolding beautifully

Reveal a mystery

It feels ceremonial to go between the two spaces

It’s hard not to be moved

 

Lean in, close

Transform passions

Focus on the what of what could be

face to face, eye to eye –the end of innocence

A loss for all of us

 

Mysterious, life rising from the ashes

This holy silence lingers

You are not alone

 

Sourced from Oulipost #1-29, Kathleen M. Moore, Found Poetry Review, National Poetry Month Oulipost Project.  (Originally sourced

from The Contra Costa Times, Bay Area News Group, April 1-29, 2014.)

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Oulipost# 29: Recovery

Oulipost #29: Canada Dry. The name of this procedure is taken from the soft drink marketed as “the champagne of ginger ales.” The drink may have bubbles, but it isn’t champagne. In the words of Paul Fournel, who coined the term, a Canada Dry text “has the taste and color of a restriction but does not follow a restriction.” (A musical example is Andrew Bird’s “Fake Palindromes.”)  Be creative, and write a poem sourced from your newspaper that sounds like it’s been Oulipo-ed, but hasn’t.

Recovery

 

Walk among the skeletons

across the canyon

damage evokes some sorrow

 

ashen soil hugged the ground

waiting anxiously

kind of like dance, kind of like life

 

a sea of wildflowers

Nerds for Nature

bright orange emergence

life rising from the ashes

 

Sourced from The Contra Costa Times, Bay Area News Group, April 29, 2014 (From the ashes: Mount Diablo recovers from wildfire, Dennis Cuff)Image

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Oulipost #28: Heartbleed

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Sourced from The Contra Costa Times, Bay Area News Group, April 28, 2014 (Double-layered passwords help secure accounts, Anick Jesdanun)

oulipost

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Oulipost #27: A Novel Mashup

Oulipost #27:Create a 14-line sonnet sourced from lines from your newspaper that is divided according to the first five digits of the irrational number pi – that is, into stanzas of 3, 1, 4, 1 and 5 lines. As with the preceding sonnet assignment (see April 14) you may interpret “sonnet” as formally or as loosely as you wish.

A Novel Mashup

Pens clicking. Chairs shifting. A neighbor twirling hair.
A princess who loves dangerous things
Sharks flying through the air

Frog music festering in a seamy, steamy city

An overheated melting pot of acrobats and dancers
Catering to the dark tastes of men
Gulp down a spicy, savory aphrodisiac cure
Tiny bones showing through translucent skin

Human identity shed, reveal a full-blooded mystery

The storied life of vampire boys
Cross-dressing teen-stars and warrior queens
A wild god can’t and won’t divide
The beautiful ruins revolt,
Flaunting shabby harmonic convergence

The end.

Sourced from The Contra Costa Times, Bay Area News Group, April 27, 2014

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Oulipost #26: Limbo

Oulipost #26: Limbo

Sourced from The Contra Costa Times, Bay Area News Group, April 26, 2014.

Beautiful Outlaw (Belle Absente).The outlaw in question is the name of the person (or subject) to whom the poem is addressed. Each line of the poem includes all the letters of the alphabet except for the letter appearing in the dedicated name at the position corresponding to that of the line: when writing a poem to Eva, the first line will contain all letters except E, the second all letters except V, and the third all letters except A. I took some liberties with the form (a lot of liberties, actually) and just made sure each line omitted the forbidden letter.

Choose someone mentioned in your newspaper to whom to address your poem. Compose a beautiful outlaw poem following the procedure outlined above and using words sourced from your newspaper text. Inspired by Yahya Abdi.

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Oulipost #25: Another Friday Night in the Suburbs

Oulipost #25. Larding: Aka “line stretching.” From your newspaper text, pick two sentences. Add a new sentence between the first two; then two sentences in the new intervals that have become available; and continue to add sentences until the passage has attained the length desired. The supplementary sentences must either enrich the existing narrative or create a new narrative continuity.

Another Friday Night in the Suburbs

So here we go again.

A feud between a frat boy and uptight newbie parents spins out of control.

Forget about logical thinking.

We stood eye to eye and then the little guy turned and ambled under a car parked in the driveway of the house we were passing.

He wavered like a tiny little drunk.

Later as he was getting really frantic and tired with his tongue hanging out – way out – I realized he was quickly running out of time.

Allow me to explain. Otherwise, let it be.

It’s an inherently suspenseful and dramatic tale.

Every second fraught with tension.

The villain is weak.

He feared for his life.

It’s hard not to be moved.

Now second-guessing leaves me wondering.

Was this the right thing to do?

Teen spirit is shaped by a keen awareness of mortality.

 

Sourced from The Contra Costa Times, Bay Area News Group, April 25, 2014.

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Oulipost #24: Lovesick

Oulipost #24. Homosyntaxism is a method of translation that preserves only the syntactic order of the original words. To give a rudimentary example, if N=noun, V=verb and A=adjective, the outline NVA could yield solutions such as “The day turned cold,” “Violets are blue,” “An Oulipian! Be wary!”) Choose a sentence from your newspaper source text and write as many homosyntaxisms as possible based on that same variation.

Lovesick

She put a curse on me.

It tightened the night around us.

We felt an ache beyond ourselves.

I proclaimed an oath for her (alone).

They (the stars) winked in collusion with who?

I spun the spell inside myself.

She put a curse on me.

 

Sourced from The Contra Costa Times, Bay Area News Group, April 24, 2014 (Garfield, Jim Davis.)

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